VINO(7)VINO(7)NAMEvino - on-board video input system for Indy
DESCRIPTION
Vino is the builtin video on the Indy System. It supports three
different types of inputs: digital, composite, and S-Video (Y/C). The
digital input is for use with the IndyCam camera and the analog inputs
are for use with standard video equipment. Vino supports input on the
digital and one of the two analog ports simultaneously. The analog
inputs may be in either PAL or NTSC formats and a variety of controls are
available that allow the user or programmer to set various parameters
used for the analog to digital conversion.
Using Vino, it is possible to read live video into the computer's memory
which can then be displayed in a graphics window on the screen or further
processed by the application. Using the VL programming library (see
vlintro(3)), a program can request video in either monochrome, low
resolution color, or two forms of high resolution color. The video image
can be captured in either full or reduced size formats.
The video control program, videopanel(1) allows the user to control the
default inputs and their timing. Additionally, it allows the user to set
certain device parameters which are described below. The defaults for
all of these controls are in the file /usr/etc/video/videod.defaults.vino
which is the file restored when the "File>Restore Factory Settings" is
selected.
The following controls affect the IndyCam. All but the first, which is
on the main panel, may be adjusted by bringing up the IndyCam panel under
the ``Pro'' menu option in the main videopanel window.
White Balance The white balance button causes the camera to
automatically configure the red and blue balances to
achieve an overall even toned image. For best results,
hold up a well lit piece of white paper in front of the
camera and click on white balance, the camera will then
calibrate itself.
Freeze This button toggles the video stream from the camera on
and off. When the video is frozen, no video data is sent
by the system.
AGC Enable This toggle button turns on or off the automatic gain
control in the IndyCam. When automatic gain control is
on, the camera continually adjusts itself to changing
lighting conditions in order to produce an even level of
brightness. When automatic gain control is off, it is up
to the user or program to set the proper gain level. If
the gain is too low, then the picture will appear dark;
when the gain is too high it will appear white or washed
out.
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Shutter Speed This multiple choice control lets you control the shutter
speed of the camera. A faster shutter speed lets in less
light and may be used when the amount of light is too high
to be compensated for by the gain control.
Gain This control is used when the automatic gain has been
turned off. It allows manual adjustment of the camera
exposure.
Red Balance The red balance controls the proportion of red in the
image.
Blue Balance The blue balance controls the proportion of blue in the
image.
Saturation The saturation value affects the overall color intensity
of the image. When saturation is set to zero, the image
will have no color.
Analog Video Input Controls
The analog video input controls are used to configure the two standard
video input ports on the Indy. The main panel has three controls on it:
lock to VTR, input source, and input timing. The rest of the controls
are located on the analog video input panel under the ``Pro'' menu.
Lock to VTR This toggle controls the synchronization of the input
video signal. When enabled, the Vino analog port attempts
to track the input signal continuously. When disabled,
the Vino analog port matches the input signal but does not
make continual adjustments. With video sources that
fluctuate, the VTR lock usually generates a clearer
picture.
Input Source This selects the default input source when the input is
analog video. The two choices correspond to the two
connectors on the back of the machine. The composite
input is an RCA-type two wire connector that is commonly
found on VCRs and cameras. The S-Video input uses a
mini-DIN connector that has separate signals for luminance
and chrominance (sometimes referred to as Y/C). Better
VCRs and cameras support S-Video which generally results
in a superior picture.
Freeze This button toggles the video stream from the camera on
and off. When the video is frozen, no video data is sent
by the system.
Prefilter This toggle enables an analog signal filter that usually
results in a cleaner picture with less ``sparkles''.
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Color Mode This toggle controls the interpretation of color
information in the signal. If set to ``Auto'', then Vino
attempts to detect the presence of color in the signal and
enables color signal processing if it finds it. If set to
``Color'' then Vino assumes the signal is color all the
time. If set to ``Mono'' then Vino disables and color
signal processing. When using a monochrome source,
somewhat better picture quality may be obtained if the
color mode is set to mono. A very poor color signal may
be mistaken for black and white in which case the
``Color'' setting may used to force recognition of color.
See the description for ``Color Kill Threshold'' below for
more information.
When Color Mode is set to color and you have a Composite
input, then the chroma trap is on by default. If you
select an S-Video input then the chroma trap is off. When
the chroma-trap is on and you have a color composite
picture, you may want to turn on the Pre-Filter to allow
more of the luma signal to survive the chroma trap.
Aperture This adjustment affects the sharpness of the picture.
There are 4 settings on this button as shown below. Each
affect the gain at various frequencies in the incoming
signal. There are curves published for the settings of
this parameter in the "1993 Desktop Video Data Handbook"
on page 3-220 in figures 22 and 23. Each curve is labeled
with a setting of the 7191 sub- address 06. These match
the settings in our software as follows:
7191 "06" Video Control Panel
Setting Aperture Setting
---------------------------
80h 0
81h 0.25
82h 0.5
83h 1.0
If the reader does not have access to the curves below is
a quick table showing the rough gain/frequency pair for
each setting. The flatest response appears to be the 0.25
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setting.
Vy(dB) Gain Depending on Aperture Setting
fy (MHz) 0 0.25 0.5 1.0
---------------------
0 3 3 3 3
1 3 3 3 3
2 3 3 3 3.5
3 2.5 3 3.5 4
4 2 3 4 5
5 1.5 3 4.5 6
6 1 3 4 6
7 0 2 4 6
8 -1 1 2.5 5
Coring This adjustment also affects the sharpness of the picture.
Coring is a form of noise reduction. The coring settings
impact the bandpass filters output signal which is working
with a 13 bit word precision. The coring settings decide
what thresholds of these lsbs in the 13 bit word affect
the least significant bits of the 8 bit luma word. The
luma word has 8 bits Y7-Y0. Coring says only Y0 bit will
be affected for the setting of +/- 1LSB, Y0 and Y1 will be
affected for the setting of +/- 2LSB and Y0-Y2 will be
affected for the setting of +/- 3LSB. If you boost the
gain of high frequency components in the bandpass or with
the pre-filter then you should have some noise reduction
which would be to turn coring off or set it to +/- 1LSB
which would restrict the rounding after the bandpass to
the least significant bit of the final 8 bit monochrome
value.
Bandpass This adjustment also affects the sharpness of the picture.
The bandpass filter can be programmed to different
frequencies even when the chroma trap is bypassed. The
figures in the databook do not show the frequency response
for this bandpass filter independently.
Vertical Noise The vertical noise setting controls the analog video
recognition of frame boundaries. Different types of video
sources may need different settings to obtain a stable
picture.
Hue The hue adjusts the balance between colors in the signal.
Color Kill Threshold
The color kill threshold sets the minimum level at which a
color signal will be recognized. A poor color input
signal may cause the automatic color detection logic to
oscillate between monochrome and color. This adjustment
allows the user to control the minimum signal needed to
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enable color signal processing.
PRODUCT SPECIFIC ISSUES
The video daemon software automatically probes for the active video
inputs when it is first started. The order or precedence in selecting
the default input is:
Input signal(s) active:
svideo composite indycam default_input
---------------------- -------------
yes x x svideo
no yes x composite
no no yes indycam
no no no composite (if "vinopro" off)
no no no ccir-601 (if "vinopro" on)
NOTE
"Vinopro" config option is described below under the "ALTERNATE VINOPRO
CONTROL PANEL" section.
This allows you, for example, to use the VCR's power button to change the
default input between it and the IndyCam when first starting up the video
daemon.
NOTE
Whether the video daemon starts at systems start up time is controlled by
the videod "chkconfig" option. If it's on, then the video daemon is
started when the system first boots. If it's off, then the video daemon
is not started until the first video application is started.
Input timing and source may be changed while any video application is
running but also might cause loss of sync and undesired effects. This
also applies to restoring the factory settings.
Some VCR's don't produce stable NTSC or PAL signals when some tape
transport functions are employed. For example, switching from PLAY to
FAST FOWARD often results in a disruption of the video sync and may cause
VINO to become confused. The system software attempts to restart the
video capture but it may not be able to and will then return a error to
the application.
The default control values have no effect until a video path is created.
They are used as suggestions for applications such as videoin to specify
the desired input source.
The video tools supplied are videoin, videopanel, vidtomen and vlinfo.
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VINO(7)VINO(7)VIDEO DATA TRANSFER
VINO supports frame(field) capture that is decimated in both the X and Y
directions. Decimation of sizes 1/2th, 1/3rd, 1/4th, 1/5th, 1/6th, 1/7th
and 1/8th are supported, though the color quality suffers at the smaller
ranges. To compensate for this limitation, the system software initiates
a decimation conversion for values 1/4th, 1/6th and 1/8th by doing the
first half of the decimation in hardware and the second half of the
decimation in software. This affects the software overhead required for
capturing video.
The user can also clip the frame in the X and Y direction but VINO cannot
clip inward from the right hand edge. If an attempt to set the VL_SIZE
and/or VL_OFFSET to values that would result in the right hand edge to
not be the end of the active video line, a VLBadValue error is returned
and the value is adjusted to be correct.
Vino cannot capture a video line whose size is exactly divisable into
4096. For example, if a video line is to be packed into 32 bit RGBA
pixels and the VL_SIZE set to 512, then the resultant line size would be
2048 which is exactly divisable into 4096. If an attempt to set a
VL_SIZE value creates this condition, the system software will adjust the
VL_SIZE value to be a the next higher allowable size.
As with all VL devices, a vlGetControl should always follow a
vlSetControl to get the actual value that was accepted.
ALTERNATE VINOPRO CONTROL PANEL
There are certain Indy applications that use the IndyCam connector to
support CCIR-601 format. To enable these controls on the Video Control
Panel a configuration option is provided using the "chkconfig" command.
To enable this option, the following commands should be entered in a
shell window:
su
chkconfig -f vinopro on
exit
This command must be entered before the video daemon, videod is started,
which is usually when the first video application is started. To restart
the video daemon, the following commands are used:
su
killall videod
/usr/etc/videod
exit
Note that the format for the IndyCam input may be "IndyCam" or "CCIR-
601". Selecting IndyCam changes the "timing" to be "IndyCam NTSC" which
may not be changed. Selecting "CCIR-601", allows selection of all
timings except "IndyCam NTSC".
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VINO(7)VINO(7)SUPPORTED PACKING FORMATS
The following VL packing formats are supported by vino.
VL_PACKING_RGB_332_P
VL_PACKING_RGBA_8
VL_PACKING_RGB_8
VL_PACKING_Y_8_P
VL_PACKING_YVYU_422_8
FILES
/usr/lib/dmedia/video/vino.so /usr/etc/video/videod.defaults.vino
SEE ALSOvideopanel(1), videoin(1), vlinfo(1), vidtomem(1), vlintro(3dm)
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